tag:blogger.com,1999:blog-4100043977279787831.post8919868804303298716..comments2024-03-13T03:52:17.006-05:00Comments on Orexis Dianoētikē: Metal Music, (Heideggerian) Mood, and MemoryGregory B. Sadlerhttp://www.blogger.com/profile/02197307174003462308noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-4100043977279787831.post-49039531091984723582011-03-29T11:10:54.300-05:002011-03-29T11:10:54.300-05:00Thanks very much -- yes, I suspect that some of my...Thanks very much -- yes, I suspect that some of my sensibilities have been formed precisely through that genre of music, whose complexity and depth (and in many respects similarities to classical music) were somewhat under-appreciated back then.<br /><br />And for a metalhead, its high compliment to have one's prose compared to the Blackout album, and especially to that last gorgeous, bass-pulsing, wall-of-distorted-guitar, vocal-wailing songGregory B. Sadlerhttps://www.blogger.com/profile/02197307174003462308noreply@blogger.comtag:blogger.com,1999:blog-4100043977279787831.post-22133662996673630242011-03-29T09:09:03.672-05:002011-03-29T09:09:03.672-05:00the whole thing is fantastic - but that last parag...the whole thing is fantastic - but that last paragraph is the most essential. it is strong, driving, and poetic - much like the music you're writing about. kind of like, if this blog post is blackout, that last bit is china white.andi sciaccahttps://www.blogger.com/profile/00838194017970366804noreply@blogger.com